Rave and night club audio visual production in Dallas-Fort Worth.
Club grade sound, lighting, rave visuals and DJ service for warehouse raves, club nights, EDM parties and takeovers. We bring the rig, tune it to the room, run it all night and load it out before the doors lock.
We bring the club with us
A rave is a room that was something else that morning. A warehouse in the Design District, a leased industrial bay off Irving Boulevard, a bar with a back room, a venue whose house system was specified for a band and gives up the moment a kick drum sits under it. The production is the event, and it arrives on a truck.
Every rave and night club event we take is a full service rental. Our crew delivers the rig, stacks or stands it where the room needs it, tunes it against the actual walls, runs it live for the length of the night and strikes it at the end. The people operating the system are ours, and every cable goes back out with us.
Audio, lighting, rave visuals and DJ service come from the same company on the same quote. One advance, one crew and one load in, instead of three vendors meeting each other in a loading dock at four in the afternoon.
Club sound systems and subwoofers for a rave
Electronic music is written for a system that can reproduce the bottom two octaves at volume for six hours. That is a different specification from a party rig, and it is the part of rave audio visual production people underestimate. Below is what we build a night club sound system out of, all professional grade powered gear from our own inventory.
Subwoofers built for electronic music
Rig BassBoss subwoofers · ground stacked or arrayed to the floor
The low end is the reason people came. BassBoss subwoofers hold their shape at the level a rave runs at, so a sub bass line stays a note instead of turning into pressure. We place them for the dance floor rather than for the stage, and we array them when the room is wide enough that one stack would leave a dead zone in the middle.
Line array for a large room
Rig Line array speaker system · on stands or stacked with fills
Once a room is deep, point source boxes make the front too loud before the back is loud enough. A line array speaker system keeps the level closer to even from the barricade to the back wall, which is what lets you run a warehouse rave at club volume while the first thirty people still enjoy it. Fills cover the corners beyond the array.
DJ booth and playback
Rig CDJ players · DJM mixer · booth monitors · facade
Guest DJs turn up with a USB stick and an expectation. We carry the Pioneer players and mixers touring DJs ask for, plus booth monitors loud enough to beatmatch against a room that is already moving, and a facade when the booth is part of how the night looks. Send us the rider and we will confirm what we have against it before the date.
Power and the room
Rig Power path confirmed in advance · distro run by our crew
Warehouses and pop up venues rarely have the service a full club rig wants sitting on the wall, and finding that out at eight at night ends the night. We confirm the power path in the advance, bring distribution and run the sound, the lighting and the visuals off a plan rather than off whatever outlets are nearest.
Microphones for the host
Rig Shure wireless handheld · AI-powered De-Feedback
Most of the night is music alone, and then somebody has to announce the headliner over a room at full level. Our wireless handhelds run an AI-powered De-Feedback system, so the host can walk out in front of the speakers and still be understood. Batteries are changed on our schedule rather than when they die.
An engineer on it all night
Rig On site technician · levels held through every changeover
Four DJs across a night will each arrive at the mixer with different gain habits, and the room itself changes once eight hundred people are in it absorbing high end. Our technician stays with the system, catches the changeovers, keeps the level where the room can take it and deals with a dead channel before the floor notices.
Not sure what the room needs?
Send us the venue or the address, the expected head count and the curfew. We will tell you what the space calls for and quote it. Our event audio services page covers the rest of what we run, and the sound equipment rental page has the wider inventory.
The rave and night club events we get called for
Every one of these is a different problem hiding behind the same words. The rig follows the room, the curfew and the crowd rather than a package name.
Warehouse and underground ravesIndustrial space, pop up venues, one night builds
An empty warehouse has concrete on six sides, power on the far wall and a neighbor with a phone. We build the whole thing: subs on the floor, an array if the room is deep, lighting on truss or stands that we bring, and levels aimed inward so the sound in the parking lot is a fraction of the sound on the floor. We also want to know the curfew early, because load out time is part of the plan.
Night club events and takeoversPromoter nights, brand takeovers, residencies
A club has a house system that was specified for the club's normal night. When a promoter brings in a headliner who needs more than that, we supplement rather than replace: subs added to the house rig, a booth built to the rider, lighting and rave visuals brought in for the one night and gone by morning. We advance it with the venue's staff so the circuits are settled before doors.
EDM parties and DJ nightsHouse, techno, bass, drum and bass, open format
Genre decides the rig more than head count does. A bass night wants far more sub headroom than a house night, and an open format room wants vocals that stay intelligible over a full floor. Tell us who is playing and we will size the system for the music instead of for the square footage.
Private rave setupsBirthdays, house parties, graduation nights that turn into a rave
A private rave setup is a real request and it books all year. Someone wants their back yard or a rented hall to feel like a club for one night: a proper sound system, lasers or moving lights, haze so the beams read, and a DJ. It is the same crew and the same gear at the scale the space can take. Our private event AV page covers the quieter version of the same booking.
Festival stages and outdoor setsDay parties, lot shows, multi stage events
Outdoors the sound has open air to fill, so coverage comes from placement and array design rather than from turning it up. We plan the throw for where the crowd will be standing, keep sound off the property line where a permit says to, and build weather cover into the plan because a Texas afternoon does what it wants.
After parties and late night roomsSecond rooms, conference after hours, tour after parties
A second room inside a larger event has to be loud inside and quiet outside, which is a containment problem more than a power problem. We aim the coverage tight, keep the sub energy off the shared wall where we can, and run it with somebody on the console so the level tracks what the neighboring room can tolerate.
Night club lighting, lasers and rave visuals
Lighting is what turns a dark room into a night. Moving heads over the floor, strobes and blinders for the drop, washes to color the whole space and haze so every beam has a shape in the air. We program it to the set so the hits land on the beat all night.
Rave visuals go on the wall behind the booth or across the room: projection, LED content, mapped surfaces, and a VJ running it live with the music. If the DJ brings their own show content we will take it as a source and run it. Event lighting services and projection and video are quoted alongside the audio rather than as a separate booking.
Lasers and cold sparks land inside a club night better than almost anything else, and they carry rules. We quote these only after the venue and, where required, the fire department have approved them. Haze is the same conversation with a smaller sign off, and we confirm it before the date so it runs from doors.
Booking a rave DJ in Dallas
Some nights arrive with the talent already booked and only need a rig underneath them. Others need the music too. We do both, and the system is the same either way, so the decision is purely about who is playing.
Our DJs work club and underground rooms across Dallas-Fort Worth and read a floor for what it is rather than for what the tracklist said. House, techno, bass and open format are all covered, and a warmup set that builds into a headliner is a different job from a peak time set, which is worth saying out loud when you book. If you are searching for an underground rave DJ in Dallas, tell us the room and the genre and we will put the right person in the booth.
When the talent is yours, send the rider. We confirm the players, the mixer and the monitor situation in advance, and our engineer handles the changeovers so the floor hears one continuous night. Full DJ services cover the rest.
The effects that make a night club event look like one
These go on the same quote and get set up by the same crew on the same load in, so one company is responsible for the whole show.
Laser light show
Aerial beams and floor scans programmed to the set. Quoted after the venue signs off, with the safety zones worked out before anything is aimed.
Fog and haze
Haze is what makes every beam and laser visible in the air. Venue approval and detector rules confirmed before the date so load in goes straight ahead.
Cold sparks
Indoor spark fountains for a headliner walk on or a drop. We quote these only after the venue and the fire department have approved them.
Dancing on the clouds
Low lying fog that stays ankle high across the floor instead of filling the room. It reads on camera and leaves the booth clear.
Projection and rave visuals
Projectors, screens and mapped surfaces for content behind the booth, with our own crew shooting the night if you want footage for the next flyer.
Uplighting and washes
Color on the walls and the structure, so the parts of the room beyond the moving lights still belong to the night.
What booking rave AV with us looks like
Tell us the night
Date, venue or address, expected head count, who is playing and what the curfew is. That is enough for a quote.
We advance it
Coverage plan, rigging points, the power path and the load in window, agreed with the venue and against the rider before the week of the show.
We build and tune
Our crew rigs the system, tunes it to the empty room and adjusts once bodies are in it, then sound checks the booth with the first DJ standing in it.
We run it and load out
A technician holds the system through every changeover until the last record, then the whole rig comes out on schedule and every cable leaves with us.
Rave and night club production across the Dallas-Fort Worth Metroplex
We work roughly a 40 mile radius from ZIP 76053, which sits between Dallas and Fort Worth. If your venue is further out, ask anyway and we will tell you honestly whether it works.
Dallas
Deep Ellum rooms, Design District warehouses, Fair Park lots and downtown club spaces.
Fort Worth
West 7th venues, Near Southside rooms and industrial space east of downtown.
Arlington
Entertainment district venues and large format rooms with real load in access.
Irving
Las Colinas venues and the warehouse corridor along Irving Boulevard.
Denton
University crowds, square venues and house shows that outgrew the house.
Plano
Event space north of the tollway and private rave setups in Legacy area venues.
Frisco
Stadium district venues and hotel ballrooms taken over for a night.
Grapevine
Hotel and conference rooms running late night programming after hours.
Garland and Mesquite
Industrial buildings and event halls east of Dallas with room for a full build.
Things we will point a promoter elsewhere for
Cheaper to read this now than to find out in an advance call. If one of these is what you need, say so and we will point you somewhere useful.
Permanent night club AV installation
We are an event production company, so we build for a night and take it out. Wiring a club with a permanent system is an install job and belongs with an integrator. Ask us anyway and we will tell you who to call.
Crew on every club booking
Every rave and club rental goes out with our crew. Our crew builds the rig at the venue, tunes it and runs it for the night.
Selling equipment
We rent, and every club rental is full service. We rent now rather than sell, so everything here comes to your event for the date.
Outdoor movie screens
Inflatable and outdoor screens come from a screen vendor. Outdoor sound, lighting and projection onto a real surface are all fine, and we will say so honestly if the screen is a job for a different vendor.
Booking a live act rather than a DJ?
Stage monitoring, input lists and backline sit on their own page. Start with live music and band events and we will pick it up from there.
Rave and night club AV questions
Can you provide the sound system for a warehouse rave in Dallas?
How much sound does a rave need compared to a normal party?
Do you supply a rave DJ, or only the equipment?
Can you add lasers and rave visuals?
Do you work with night clubs that already have a house system?
Do you do permanent AV installation for night clubs?
Can I book a private rave setup at a house or a rented hall?
What areas around Dallas do you cover?
Tell us about the night. We'll bring the sound, the lights and the lasers.
Tell us about your event and you'll hear back from us today, with a straightforward quote within 24 hours.